Audience can be active constantly filtering or resisting content or passive complying and vulnerable. Audience analysis emphasizes the diversity of responses to a given popular culture artifact by examining as directly as possible how given audiences actually understand and use popular culture texts.
Reinhard 1 Three Approaches to Media Reception and Audience Reception Studies In this paper I will discuss three approaches to understanding audience reception -- primarily in how they differ from each other will the first consideration, but the story does not end there.
The goal of this writing is to bridge these three approaches to illustrate how they can holistically answer the questions below, creating in synergy something greater than they could create individually.
Indeed, it will hopefully become evident during this comparison that for all their differences, there are some underlying commonalities that can serve as a basis for the three to speak to one another. The first part will consider how they answer these questions: What is an audience?
What is the importance of understanding audience reception? Each approach has a unique epistemological and methodological stance for answering these questions, and I will use these three questions to structure how the approaches have historically considered the questions and constructed their answers.
In the second part, when I use all three approaches to understand the reception of a recent Hollywood film, I will attempt to demonstrate that by taking all three together can we achieve more fully realized answers. The first thing I must do is clarify that in terms of communication and media studies, I see two fields with different approaches to the study of a person's media engagings.
Because of this, I am separating the communication and media studies approach in two: The former is more concerned with matters of pragmatic application of media uses and effects studies to better society through public policy or education. The latter is more concerned with the role of the media in legitimizing power structures and the extent to which people either resist this legitimization process or reinscribe it through their everyday actions.
Each field has its own approach to answering these questions that are different from the approach taken 2 by traditional film studies, with its basis in literary studies.
Also, each field rarely engages in dialogue with the other and, even if it does, this dialogue could use to be more amicable. Thus there is a need for dialogue among these three points of the triangle that surrounds the study of media engagings.
Quantitative media studies approach to audience reception What do I mean by quantitative?
Knowing the audience needs, are important to communicate effectively. In the workplace, knowing the needs helps us to explain the what, why, how, who, and when we . Study COMG Final flashcards from Angel C. on StudyBlue. ___are audience members who have gathered for some reason besides the joy of hearing you speak. Biological factors in the receiver or sender that interfere with accurate reception: illness, fatigue, and so on. The data analysis report is written for several diﬀerent audiences at the same time: •Primary audience: A primary collaborator or client. Reads the Introduction and perhaps the.
Even when studies seek to describe or explain some phenomenon, this is usually to serve the ultimate goal to allow for the possibility of changing or controlling the phenomenon.
For example, research into violence on television could begin with describing the amount of guns seen and used during primetime; this study may be followed by attempts to explain why there are so many guns on at this time.
However, the main question is: The first part of the question is usually broached by those of the uses-and- gratifications approach, while the latter part is the purview of researchers interested in media effects.
Especially at the important final stage of predicting, quantitative research relies on gathering large, random samples of individuals from across a variety of presumably important contextual factors i. Gathering such a participant pool hopefully gives the researcher a representative sample, thereby allowing the researcher to generalize or extend any findings to the larger population.
Being able to generalize, and indeed make any claims regarding the findings, is dependent upon the use of a range of statistical tests to describe, confirm or refute the researchers' questions or actual 3 hypotheses regarding the phenomenon.
All of these systematic and methodical activities are enacted to better allow for objectivity, replicability, and parsimony -- all of which are hallmarks taken from natural sciences and applied to social sciences as definitional for what science is. More modern conceptualizations see the audience as a network of people who have the potential to interact with one another about a particular object of interest in the media.
Either way, audiences are studied as collectives, aggregates of individuals; an individual when studied is more typically referred to as an audience member or media user.
The millions of Americans watching a presidential debate would be the audience of that debate. When such a group is organized with the ability to influence some social institution, and thus society by extension, this collective is referred to as a public.
If their opinions about the candidate's performance gets that candidate elected, those millions of Americans become that candidate's public.
For some, this move from audience to public is a desirable distinction for pragmatic reasons -- health and political communication scholars are interested in those groups who actually engage in behavior based on their media engagings.
However, in terms of understanding entertainment media audiences, such as film, the audience as defined is the main focus, and this would apply whether the research is on why the audience uses the media, or what affect the media has on the audience.
The audience is typically categorized based on demographic characteristics. This segmenting of the audience is driven historically by two imperatives: Advertisers, who are solely interested in persuasion, have used this research to more narrowly target potential consumers.
Dallas Smythe pointed out the extent to which television is in the business of selling potential audiences to advertisers, and his analysis of the television industry is applicable to the majority of the media industry as it operates today.
As the American media industry is advertiser driven, the media industry is compelled to "understand" who the audience for any of their products is at any given time.Audience Analysis and Reception YOU XBCOM/ Aug 2, When preparing a formal report to management personnel in the workplace there are many factors that need to be allowed for in order to make your presentation successful.
Critical discourse analysis therefore examines the form, structure and content of discourse, from the grammar and wording employed in its creation to its reception and interpretation by a wider audience.
Events which occur off-stage (such as the deaths of Glauce and Creon and Medea’s murder of her children) are described in elaborate speeches delivered by a messenger, rather than enacted before the audience.
Reception Theory () Audience Types Hall included three different types of audiences decoding of text: Dominant or preferred - Negotiated - Oppositional How do I want it to be viewed?
Audience Analysis and Reception Mat Waer Why know you audience? The answer to that question can be the key to success when presenting or even talking in.
Patrick Henry and “Give Me Liberty!” A hypophora is useful to present to an audience issues they may not have considered in depth. Find at least one example of hypophora in this paragraph and explain its contribution to Henry’s argument.
Suffer not yourselves to be betrayed with a kiss. (19) Ask yourselves how this gracious.